C.A.M. Gallery is hosting Murat Durusoy’s solo exhibition, Post-Nature Studies: Entanglements. The exhibition brings together new steps from the artist’s ongoing series of the same name. Consisting of large and small-scale photographs and video works, the exhibition focuses on the relationships between nature, technology, and image production.

This series, which Durusoy has been developing for a long time, explores the permeable spaces between nature and technology, the organic and the synthetic, and photographic recording and algorithmic transformation. The visual universe built through flowers, botanical structures, mineral surfaces, industrial remains, and hybrid forms proposes a new reading of today’s nature; rather than establishing a simple opposition between nature and technology, it makes the intertwined structure of these two fields visible.

While Durusoy’s production engages with the tradition of morphological photography that examines plant forms and a typological approach based on the logic of series and comparison, it reinterprets this heritage within today’s ecological and technological conditions. This visual language, established through series, repetitions, and formal relationships, suggests a field of vision where the boundaries between the organic and the synthetic become blurred and categories begin to dissolve.

The photographs in the exhibition focus on the photographic image’s capacity for observation and comparison, while the videos reveal the continuity of transformation and the metamorphosis of matter within a temporal flow. In these works, flowers do not remain as static objects; they transition into different material states, evolve into synthetic surfaces, dissolve into waste-like textures, transform into mineral structures, and reappear as hybrid beings. Thus, the exhibition invites us to think of nature not as a represented subject, but as a space of transforming and entangled existence.